Artist: Mike Kimball (authored by mikekimball)
Submitted by mikekimball on
Submitted by mikekimball on
Submitted by AndreaPolland on
My paintings are acrylic on canvas--sizes up to 60" x 36". Commissions are encouraged. Signed archival-quality prints on heavy rag paper, or on canvas, can be individually produced to your preferred size.
Submitted by Susan Bostrom-Wong on
Submitted by Carlo Grunfeld on
I often start with a figurative painting or a portrait. Then I adapt to the particular situation by subverting the picture plane in a variety of ways. Usually I either contract or expand the depicted space using one or more floating, intruding, or incongruous objects or subjects. My aim is to develop the classic genre of figurative work or portraiture into something more psychologically expressive and amusing. I chiefly work in pastel, oil pastel, or watercolor.
Submitted by monique passicot on
Submitted by paulferney on
Submitted by Kev7art7 on
I've continued to expand my Islamic tile series this year in a different shape/format. I've also returned to one of my first loves (sumi ink + watercolor) created both on paper and on canvas.
My show will be part of Hunter's Point on 10/29 and 10/30; hope to see you there!
Submitted by brianmcdonald on
I am driven by a need to make sense of the world around me, which I see as fragmented, contradictory, and anxious. I seek to capture the cartoonishness that runs through American society wherein the individual is not only bombarded by an excess of choice, information, and rampant consumerism, but is also in a constant state of wanting more. Flotsam from this perpetual cycle of consumer pop culture is woven into my paintings, embedding my figures in an intricate web that suggests the non-stop movement of the mind, as well as the depth, complexity, and interconnectedness of life.
My work is influenced by music, cartoons, and dreams: I am fascinated with their spatial, temporal and structural components which I see as analogous to contemporary consciousness. I work primarily with layers of paint and collage that are woven together to create a dense network of relationships ripe with narrative possibilities. By using disparate and often ambiguous images, the flow of ideas becomes disrupted, meaning is subverted, and logic is obfuscated. My work becomes infused with an elusive visual poetry that seeks to inspire viewers to make their own connections based on personal associations.
Submitted by sidneadamico on
In my work I am constantly translating a story I have in mind into images. My process involves building a surface, then scratching away most of what was originally painted. As I scratch I become in touch, literally and metaphorically, with the painting. Using colors, lines and shapes it often reflects in a whimsical and playful imagery.
Submitted by mariebourget on
SERENDIPITY
- the faculty or phenomenem of finding valuable or agreeable things not sought for...