Born in New Zealand, Linda is a long-time Bay Area resident, inspired by California's cultural and geographical diversity. The San Francisco Bay is her favorite subject: she observes and sketches the daily ship traffic, bridges, freeways, cranes, sunrises, sunsets, fogs, moon rises, tides, seagulls - and the occasional cruise ship and America's Cup boat. She distills her experiences into paintings, prints and objects that explore the constatly-shifting nature and restlessness of the Bay and its denizens.

I paint like a jazz musician improvises. Starting from the roots and a strong foundation, I branch out and make it my own.
From Abstract to Expressionistic, I like to push the envelope with bold, gestural brushstrokes and compelling colors. Whether I’m painting the figure, landscape or a still-life, I look for abstract shapes, stripping away the non-essentials to give a loose interpretation of form and movement, a strong interpretation of feeling and expression.
I paint in the moment.
If I start out with a plan, it most likely will change. If I stick to a plan, it will most likely fail. I let the canvas tell me where it wants to go.
I’ve been told that my loose and exuberant brushwork and lively pallet is reminiscent of the Bay Area Figurative Movement, yet that my work contains a freshness and sincerity that is all my own.

After receiving my BFA from the University of Massachusetts, with high honors, I decided to take a road trip. A trip in which I spent three months in a car, cross-country camping, with not much more than a sketch book and a camera and, of course, some camping gear and occasionally, some food. I was living rather simply, after a grueling program involved in very scientific and serious concerns of the art world of that time. On this trip I fell passionately in love with the great outdoors and the magic of geology and archeology and history of the great mountains, rivers, streams, oceans, trees and the people that inhabit these lands. I had been a “city kid” with urban concerns and not so used to the power of reflection on the simple beauty that surrounds all of us. I have worked as a studio artist and a commercial artist for many years. Meanwhile, I have always been driven to find a spiritual path that inspired me and to find fulfillment. So, one day I decided that my passion was out there — the big world that surrounds me and all its amazing beauty. And that I belong out there. Being a person who loves the outdoors so much I could almost live outside, landscape painting on location is the most perfect choice for my subject matter. Combining being outside with my passion for painting makes the art-making process truly a joy-filled and spiritual experience. As a landscape painter en plein air, I find that being outside observing the ever changing dance of light to be true witness to the face of God. The experience of painting outdoors is awe-inspiring and, at times, humbling. My goal is to capture this experience, defined by color, light and atmosphere and my emotional interpretation of the moment. I work quickly, with large brushes and lots of paint to match the pace of the sun and to keep the scene that I am involved in fresh and energized—the energy that transforms and inspires me. My inspiration often comes from the simple, often overlooked in our busy lifes — a lone boat, or a simple tree surrounded in perfect light. Sometimes, a funny thing happens when I am setting up—I think I have an opportunity to paint a subject that I have designed to be good, challenging, unique, with good light, and then I turn around to get my gear and look up and see something far more paintable. Spontaneity — a painters gift! Sometimes I call these “paintings that paint themselves”. In other words, I didn’t have to move mountains — like the bible says we can! My paintings have often been described as peaceful and serene. I find this assessment to describe the fundamental reason why I paint. I am truly inspired by the peace and serenity of the natural world that surrounds me. Presently, I am trying to capture the beauty and perfection of a location that is endangered or already slated to be developed. "The mind of the painter should be like a mirror which always takes the colour of the thing that it reflects, and which is filled by as many images as there are things placed before it."

My work is process orientated. It reflects my interest in memory, impermanence, and the relationship between opposites such as order vs. chaos, structure vs. gesture and line vs. form. The work is meditative and I try to show those things that are unexplainable or unspoken. Each piece has its own history which is partially revealed through various layers. They are images and marks contained in layers of space and time.

Tjasa (pronounced Tee-asha) Owen’s work is a confluence of her international travels, her enthusiasm for written correspondence and her love for landscapes, inland as well as coastal. Having grown up by the Atlantic seashore, she is drawn to the ever changing skies and coastal scenes. In addition, while living in France for three years and spending time in Tuscany, she was inspired by the endless rows of trees and distant hills which she has incorporated into some of her landscapes. During her foreign travels and time away from the studio, she photographs, sketches and captures landscape details and textures. 

Each piece, for me, is unique and carries its own story.  My landscapes are inspired by my love for the Atlantic & Pacific coastlines as well as my travels abroad. I will incorporate my memories of different places, textures and colours I have seen into the individual pieces. Rather than documenting any actual place, I am more interested in reassembling the elements of scenes I remember- the way we do with snapshots and scrapbooks - to create views that feel shared and remembered.  I sometimes add postscripts and incomplete phrases from my journals or sketchbooks to imbue these new places with a sense of time and history. I liken my process to conjuring a landscape postcard in my head, reproducing it on canvas, and, by adding an ink stamp or words from my sketchbooks, it’s as if I am sending it back into the world.  By making paintings that feel like correspondence, I invite viewers to invent their own stories about the places I create in my work.   

Back in her San Francisco studio she integrates the themes of rural and coastal landscape as well as correspondence to create her well recognized larger format paintings. The artist employs acrylic, oil pastel as well as collage media in her canvases. Her subtle and whimsical notations on many of the pieces invite the viewer to create a personal relationship with the work of art open to their own interpretation.

Owen has studied fine arts, art history, and interior architecture on both American coasts and abroad. She attended and received her BA at the University of Virginia and studied at the National Academy of Art in New York, the Academy of Art in San Francisco and Coupa in Paris.  Her work has been shown extensively in the US and internationally and has been acquired by many corporate collections as well as by a distinguished list of private collectors.  Currently Tjasa lives in Mill Valley, CA with her husband and two children, Finn & Remy.

Tjasa Owen is represented on the East Coast by the The Eisenhauer Gallery on Martha’s Vineyard, the Harrison Gallery in Williamstown, Massachusetts, the Canfin Gallery in Tarrytown, NY, City Art Gallery in Greenville, NC, the Sheldon Fine Art Gallery in Naples, FL, Newport, RI and Saratoga, NY, the Five Main Gallery in Wickford, RI, the Jessie Edwards Gallery and the Glass Onion on Block Island, RI, Nahcotta Gallery in Portsmouth, NH, and Parker Gallery in Sea Island, GA. On the West Coast Tjasa is represented by the Hang Gallery in San Francisco, and the Tjasa Owen Studio.

Steve began a career as machinist and worked in the machining trades until 2005.  This experience is reflected in his mechanical assemblage works and large chamber pieces.  His love for throwing pottery began in 1985 at the Salt Lake Art Center and for sculpting while an undergrad at San Francisco State University, 2001-05.  Steve received an MFA from San Francisco State University in 2008.  His ceramic sculpture can be found in many private and permanent collections including the de Young Museum, Ceramics Research Center, Lincoln Public Library and Salinas Public Library.  He is an award-winning sculptor and has shown his work nationally and internationally.  He creates a variety of artwork from functional pottery to complex sculptural installations.

just keep painting and painting !!!!

Visionary Artist & Teacher Illuminating the Possibilities Elizabeth Gibbons is a visionary artist and teacher. Her art depicts a spiritual journey, the telling of a story that contacts us at the level of the soul. As we view layers and layers of prayer, hope, paradox and spirit woven between particles of paint, bead, glitter and rhinestone we are inspired to embark upon our own journey. As a teacher, Elizabeth encourages us to explore materials that animate our sense of wonder, joy and play. By playing with the sparkle of jewels, beads & glitter the divine spark of imagination that lives within each of us is illuminated and we are transported to the land of infinite possibilities.

As an adult I’ve continually been drawn to the forest. Studying and working as a Translator and Interpreter, I’ve visited 25 countries on 5 continents and during my travels, I’ve hiked the forests first and time permitting, I would then explore the cities.

My dream has always been to own a large parcel of land and spend my spare time planting trees to personally contribute to the reforestation of this beautiful planet.

What began as a very personal desire to experience nature has now become a campaign to bring attention to the plight of the deforestation and the damage that the activity is causing to this planet and its biosphere.