Civi Group Option Value ID: 
857

Artist: Romy Randev (authored by romyrandev)

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Romy Randev
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After completing his graduate studies in Architecture and Art History, Romy worked as an interactive designer for the next ten years creating short films, Apps, websites, album art, posters, interactive DVDs and more. Longing to return to the design world, he spent a year learning about glass fusing, electronics and modern manufacturing techniques to create Looma. He plans to design other products and installations that combine interactive technologies, glass and LEDs. Originally from Ottawa, Canada Romy now resides in the San Francisco Bay Area.

Artist: Shirley Smith (authored by ShirleySmith)

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Shirley Smith
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People often ask me if I like to do puzzles, or tell me I’d make a great dentist (based on the intricate poking, prodding, scraping and filling that I do in my work).  I used to feel that working on mosaics was a way to bring order to chaos, by rearranging a multitude of tiny pieces together to form cohesion.  Realistically, for me, it’s none of these things.  Rather, it’s the possibilities that can come from a variety of pieces and materials.  It both astonishes and entices my mind.  Something about discovering an unknown combination or design that doesn’t exist in the world, is intoxicating.  This is how I feel when I am creating mosaic art.

 

Mosaics are not a fluid art form; they don’t blend into one another like oil paints, or mold into figures with soft lines that gently curve.  They are rigid and abrupt and can be unforgiving.  However, it’s the adventure to create these illusions, with proper coaxing of the medium, which I find intriguing.  I work with ceramics, glass & stone, like a linguist when they are interpreting.  I feel like I’m giving a voice to materials in a new and expressive way so people can visually understand what the gathering of pieces have to say.

 

 

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Artist: Brian Mahany (authored by brianmahany)

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Brian Mahany
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I was inspired to photograph Crustaceans after finding containers of crabs, shells and bugs in my parents garage where they had been hidden and placed in jars for the last 53 years. I photographed the Crustaceans and made beautiful prints but I needed to take things a step further. Working with my hands has always been a love of mine - particularly working with beautiful woods, since I was sixteen years old and I apprenticed a master cabinetmaker. Recently, I've combined this love of creating beautiful objects with my career as a professional commercial photographer, in creating Photographic Cubes. Each cube is hand made and these measure 2ft x 2ft and house four archival photographic prints covering four of the six surfaces of each cube. The two remainder side show the ornate wood of the cube. Hence, the cubes can be viewed from any angle with varying effect. The cubes are self contained units and can be displayed in any number of ways including stacking them upon one another. They can be made in any size and configuration. I wanted the cubes to become their own entities and combining the sculptural with the photographic without taking away from the photography but adding to it and making it something new and alive.

 

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Artist: Sharon Art Studio (authored by sharonartstudio)

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Sharon Art Studio
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The Friends of Sharon Art Studio (FOSAS) is devoted to sustaining and enhancing the Sharon Art Studio’s (SAS) goal to promote artistic development, craftsmanship, and creative expression. FOSAS is proud to be a partner of the SF Recreation & Parks Department (SFRPD) to bring Sharon Art Studio’s outstanding art programs to you. FOSAS believes that art education is an essential component of a healthy community and strives to ensure that quality, noncompetitive art programs are affordable and accessible to all.  Sharon Art Studio offers classes for youth and adults at two facilities: the beautiful historic Sharon Building in the Eastern end of Golden Gate Park, and now at Mission Arts Center. To register for classes and workshops, visit www.sfreconline.org.

Artist: Constantine K. Zlatev (authored by [email protected])

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Constantine K. Zlatev
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In the past, the classical artist worked primarily with natural materials. Nowadays we have mountains of discarded technology. These junkyards are the modern-day quarries and artists like me can make anything out of these resources. All of my recent works were made from salvaged industrial components and scrap. My robotic flute installations use industrial pneumatic hardware and are driven by compressed air.

The Double Barrel Flute installations signify the transformation of a shot gun, an instrument of discord, into a harmonious flute, an object that plays music as a symbol of our wisdom, intellect and humanity. The programmable robots graphically chart and then musically depict the rise & fall of US annual arms exports from 1960 to 2009. The aural response of the flutes is based upon a value judgment where a rise in arms exports triggers the flutes to play a somber or anti-war song. And for every value indicating a drop in arms exports, the flutes play a celebratory tune.

 
The political, economic, social, cultural and environmental ramifications of war can be felt for centuries. Decisions made now can have significant repercussions for generations and alter the course of history itself. It is unfortunate that after all of our accumulated knowledge and technology, we continue to spend so much money and effort on building weapons and machines of war. The future of life on Earth will be mainly determined by the actions and choices that we make individually and collectively. The same intelligence that drove us to improve many aspects of human existence now remains our main hope for sustainable survival.

 

 
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