Rice and Beans is a collaboration between Geoff Campen and Diana Ruiz. We are artists and architectural designers interested in the interaction between constructed reality, and the natural world. Geoff Campen explores these themes through architectural and construction imagery. He finds and displays inherent order and chaos in both construction and nature. He then contrasts these images with natural materials and colors. Diana Ruiz creates organic forms and surreal botanical creations with found objects, wood and wool in many variations. She is inspired by creatures (real and imagined), and collects a little of everything. Diana Ruiz and Geoff Campen are married and live, work and make art in San Francisco.

Michael J Kruzich

Mosaicist

fine art/ commissions/ workshops

 "I have been a professional ballet dancer for the past 28 years.  Many aspects of my theatrical background present themselves in my mosaic subjects. They are often characterized by  movement, dramatic and subtle color/ light contrasts and a high level of detail. Personally I have an affinity for antiquity, mythology and the heroic, and my natural attractions lean toward classical realism and figurative renderings. I seek to use this ancient art form to also capture and preserve the aspects of contemporary life and nature that I find moving and to inspire and create an experience for the viewer. 

Related to commissions, I try to apply some of the same disciplines I practiced in my dance career. As a dancer I was trained to be as versatile as possible and to cultivate an ability to interpret concepts and styles from the ideas of many different choreographers. I approach a commission with the same blank- canvas idea; inevitably bringing my own style together with the needs of the particular project to create a fusion of artist/client ideas.

I was trained in Ravenna, Italy by Maestra Luciana Notturni and have since been recognized internationally for two consecutive years; winning awards at the annual “Mosaic Arts International” exhibits in 2010 and 2011 as well as work being published in a recent mosaic portraiture book.  I am also a professional level member of the Society of American Mosaic Artists, and teach ancient mosaic techniques out of my studio in San Francisco.

I work with natural stone, and Italian glass, primarily using ancient techniques developed in Italy before and during the Byzantine period. I find the qualities of these materials, combined with the classical methods, convey a sense of timeless strength, importance and elevation to whatever subject is rendered in this meticulous discipline.

Art has been my life’s work. I approach it with great passion, devotion and responsibility.  To create an enveloping experience for the viewer is my goal, and in every discipline I bring together many detailed pieces to make up a grand overall impression. In my current mosaic work I enjoy the challenge of “painting” with tesserae; fusing colors into a wondrous whole creating the illusion of seeing colors and shapes blending together like painted objects. 

ArtSeed is a volunteer-based nonprofit public charity with a mission to inspire and empower all people to realize their full potential and embrace diverse communities. Our innovative and collaborative fine arts projects, exhibitions, classroom arts integration and long-term artist/youth studio apprenticeships invite the young and/or disenfranchised to utilize the arts to broaden all of our horizons. Chuck Three Productions, a video production company, has been collaborating with ArtSeed in a number of ways. This includes creating video & photography media for ongoing projects, video arts/photography instruction, and working in a one-on-one apprenticeship.

I try to appropriate (when appropriate) from artists of the past and use iconic images of the present to create a body of work that uses ideas and materials that have been discarded and ignored as useless or trivial and transform them into something that can be appreciated.

Business has usurped the very meaning of manufactured and perverted it. As taken from the two Latin words manus for hand and the verb factere for to do/make, manufactured literally means made by hand. In other words, art is all that's left in our world that is manufactured. Andy Warhol's use of the term "factory" for his center of production was a reflection of this reality. Everything else, if it were put more accurately, is machinafactured goods.

To then share these creations, I have made greeting cards and websites and, of course, a Facebook page, learning along the way that the marketing of art takes far more creativity, toil, time and expense than producing the art in the first place does. 
 
So the goal of my Open Studio participation is to share the excitement of creating and showing (and hopefully, selling) art.

In current work, I am exploring the coded transmission of specific information. I use a color coded numerical system within rigidly placed grids, allowing the colors and their placement provide information to the viewer. More important to me than solving the code, are patterrns, random though seemingly not so, that emerge as colors tumble across and down these grids.

Light is essential to the process and product of my work; light breaks through the rigidity imposed by my use of geometric shapes. I use layers of reflective materials that add to and alter the light already reflecting from the glass. The pieces are, put simply, a series of layers: pattern, shine, reflection and color, all intended to draw viewers closer, to examine, and to see themselves reflected in and from the work.

Chessa Piker-Ward has a background in dance, theater and visual arts. She received her B.A. from U.C.S.C in Theater Arts. She has studied dance at the Alvin Ailey Institute, Motion Pacific and the Dance Mission Theater. She has been painting since she was twelve years old and took classes on portrait painting and figure drawing from the Art Students League of New York City. She feels that art is therapy and encourages everyone to do it as much and as often as possible.

Derek lynch was born in Englewood NJ and currently lives and works in San Francisco CA. Solo and Group exhibitions have been featured at: Schneider Museum of Art, Ashley Oregon, Bedford Gallery of Contemporary Art, Walnut Creek, CA, SFMOMA Museo gallery, San Francisco,CA, SFMOMA Artist Gallery San Francisco, CA, Gallerie Citi, CA. .

Artist Statement

My new work involves the creation of urban based Idealized landscapes in dream like circumstances. Ambiguous relationships and unsettling juxtapositions.

I am focusing and dissecting, rearranging forms derived from the architecture of the bay area to create new perspectives.

My text are idioms of my perception of reality base on the Current social political life we live.

The outcome can be whimsical and yet it offers a serious sociopolitical commentary on the changes to our urban landscape.

My perception of reality, and how I interpret it, was shaped by the implications of the housing scandals of the last decade.

I am attempting to combine these observations to create a compilation of connective awareness.

In 2006, I began working with architectural forms using ink, pencil markers, acrylic paint, and archival pigment. My use of these materials has become a prominent feature of my work..

I was fortunate to attend the School of the Visual Arts in New York City in the early 80’s with artists such as Keith Haring and Kenny Scharf.

As a musician my band played at CBGB's in 1986 & 87 at the Christmas special as the 'Special Guests' after the performance in 1987 we performed live on WFMU radio.

My film debut was at the Castro Theater in San Francisco, BAM in Berkeley, CA, and The Kitchen in New York City in 2000.

My film debut was at the Castro Theater in San Francisco, BAM in Berkeley, CA, and The Kitchen in New York City in 2000.